I've been wanting to explain why I've recently become obsessed with the Freddy the Pig series, but I couldn't seem to find the words to convey how excellent the books are. Thankfully, over at the Friends of Freddy site, they had a copy of a May 1994 New York Times Book Review, written by Adam Hochschild, which says it all. Here is that review, in part (and with minor editing):
That Paragon of Porkers: Remembering Freddy the Pig
The moral center of my childhood universe, the place where good
and evil, friendship and treachery, honesty and humbug were defined
most clearly, was not church, not school and not the Boy Scouts.
It was the Bean Farm.
The Bean Farm, as all right-thinking children of my generation
knew, was the upstate New York home of Freddy the Pig and his
fellow animals. They were the subject of 26 books by Walter R.
Brooks... that appeared between 1927 and Brooks's death in 1958....
Brooks had many admirers, from my fifth-grade classmates to the
mighty Lionel Trilling, who called the books "delightful."
Other loyalists have claimed Freddy as the ancestor of more famous
literary pigs such as those in George Orwell's Animal Farm
(1945). In fact, in Freddy the Politician (first
published in 1939 as Wiggins for President), the
animals foil a crafty gang of woodpeckers who try to seize control
of the Bean Farm by making extravagant promises - a revolving
door for the henhouses, cat-proof apartments for the rats, and
so on. In his book Fairy Tales and After, the critic
Roger Sale pointed out that Freddy the Politician "not
only preceded Orwell's work but is a good deal more careful with
its materials and, for that matter, shrewder about its politics… The
actions emerge much less mechanically than do Orwell's."
. . .
Walter R. Brooks's gentle genius shines even brighter in his
villains.... Almost all the villains foiled by Freddy are representatives
of the Establishment. The bank president, Mr. Weezer, who appears
in many of the books, has glasses that fall off anytime anyone
mentions a sum over $10. General Grimm is "short, stocky,
and red-faced and looked as if his uniform was too tight for him,
but nobody had better mention it." Mr. Gridley, the high
school principal "never came close to anybody he was talking
to but always stood off several yards and shouted."
The pompous, timid Senator Blunder flees the scene when pursued
by the animals, because "should I be struck down, into what
hands would fall the reins of the ship of state?" The fabulously
wealthy Margarine family tears up farmers' fields with fox hunts
in Freddy Rides Again. (The fox, of course, is a
friend of Freddy's, and the Margarine's are undone.) And, until
he is exposed by the animals, a conniving real estate man pretends
he is a ghost and haunts houses he wants the occupants to sell.
Poking fun at generals, realtors, bank presidents and the like
was unusual fare for children's books of the 1940's and 50's.
Other volumes make a few digs at the space program and at the
FBI - Freddy's bumbling Animal Bureau of Investigation often misses
the evidence right under his snout. In a subtle way the books
even prefigured the spirit of the 60's.
In Freddy and the Bean Home News the animals start
their own paper because Mrs. Underdunk, the rich, haughty newspaper
owner, and her editor, Mr. Garble, distort the news. When the
evil Mr. Condiment hits Freddy, Freddy thinks: "He slapped
me because I am a pig….If I were a boy or a man he wouldn't
have done it...."
Still,
you don't have to be in the 60's generation to appreciate Freddy.
As with all books that last, their attraction is broader and
deeper. Essentially, they evoke the most subversive politics
of all: a child's instinctive desire for fair play. Brooks speaks
powerfully to his young readers' moral sense without ever overtly
moralizing. The local sheriff, for example, tells Freddy's sidekick,
Charles the rooster, that he will get much tougher penalties for
pecking the face of a rich man than that of a poor one. Truer
words were never spoken. But how can a reader feel preached at
when it's someone talking to a rooster?
Some dozen years ago, says Dave Carley, a Toronto playwright,
he "stopped in at a children's library to see if they still
had any Freddy books. The librarian told me that she was photocopying
pages and binding the books with hockey-stick tape because they
were in such demand." Mr. Carley found others who remembered
the books as fondly as he and formed the Friends of Freddy, who
meet every two years for a weekend of book trading, talk, and
pork-free dinners....
"I grew up in Peterborough, Ontario," Mr. Carley told
me by telephone from his home in Toronto. "A Friends of
Freddy member from [Peterborough] told me recently that when he was a boy
there were two thugs who came to the library on Saturday mornings.
The bigger one blocked the door, and the smaller one ran upstairs
and checked out all available Freddy books. I had to confess
to him that these two were my brother and me."
. . .
Above all, it is Brooks's moral words that stick with his readers.
"I distinctly remember learning things from the books that
I could apply to my own life," Mr. Carley says. "For
example, that if somebody says, 'To be frank with you" it
means they're lying." Geoffrey Stakes, in a 1992 article
in The Village Voice, pointed out that the Bean animals had "a
one-animal, one-vote rule in place long before the human Supreme
Court established our version." Wendy Wolf, a New York book
editor, learned that the Nuremberg defense is no good: "Like when
the children of Simon the Rat say, 'Our father made us do
it,' they're told: 'Forget it, you're going to jail'."
. . .
"They represent the very best of American fantasy writing
for children," says Mr. Cooper [of the New Yorker] of the books. "They
are the American version of the great English classics, such as
the Pooh books or The Wind in the Willows."
You make a great point about kids being moved on to the next reading level as soon as possible, keeping them constantly frustrated. That's really unfortunate. Even when kids are reading books below their reading level, they are still cementing spelling & grammar rules simply by absorbing them from the text. Plus, not only does it make them more confident readers, but it allows them to read the book more dramatically (whether out loud, or just using their internal, mental voice) because they aren't distracted constantly by challenging words. My daughter used to say that yes, she could read, but she couldn't read "like the audiobooks." She meant that it was hard to imagine the setting, the voices, & the emotions because the text itself was still quite challenging. I submit that if you can't get wrapped up in a book enough to imagine the characters & their tone of voice & so on, you are not fully reading that book. But of course, in school it's simply a matter of being able to say the words aloud. (I'm sure we all remember listening to other kids reading aloud in a total monotone, with no regard for the ends of sentences!)
When we found the Freddy the Pig audiobooks, I realized that my kids can learn an immense amount of vocabulary, random cultural knowledge, figures of speech & proverbs, grammar and syntax, all from audiobooks. All that's missing is deciphering symbols (reading, as it's often measured in school) and correctly arranging symbols (spelling and punctuation). They get everything from an audiobook except the mechanics, in other words. In fact, they get more, because the voice acting is usually quite good, and those vocal cues help kids understand unfamiliar slang or vocabulary. The Freddy books are chock full of old proverbs and odd slang (plus the word "phaeton"). I guarantee my daughter learns more listening to Freddy than reading any of the crappy early readers used in my old elementary school.